At Last A Predictable Crackle Glaze/Crackle Varnish

A crackle glaze is a simple idea, they attempt to re-create the effect of old varnish that cracks and crazes over time.

 fine crackle

A crackle glaze or crackle varnish, generally consists of a base coat and a top coat. The way they work is simple the water-based varnish dries quicker than the oil-based one, and the movement from the underlying layer, which is still drying, causes the top layer to crack.

 

gold leaf

I have used many of the available  glazes in my time, oil based varnishes with a water based top coat, made from animal glue or an acrylic varnish, the oil based crackle glazes were often difficult to control owing to the temperature range they worked under, also it was difficult to control the size of the cracks, as the picture on the left shows.

 

 

 

crackle glazeHere are some examples of weathered two part oil and water crackle varnish, some of these have had added an ageing glaze to give an older appearance to the metal leaf. Please note in all these examples and others that follow we use only imitation gold leaf, of course if you do want to use real gold leaf you can do so, you will get very much the same effects.

 

 

 

 

Because the traditional oil/water glazes are sometimes difficult to get results from, due to local temp, humidity etc, I no longer sell them from this site, I had too many complaints about not getting results.

The fact is with this type of traditional two part crackle you have to practice in your own environment, and like any skill it takes time to master.

However I have shown pictures of the oil/water glaze as, when it works, it produces a nice variety of medium sized cracks.

The only glaze I am prepared to call predictable is the two part acrylic glaze that I sell from here and which produces a fine network of cracks as the picture in the top right shows.

There are only two stipulations with regard this crackle varnish. Work should not be done in cold conditions, and make sure you apply thin coats.

Apply a thin coat of the base glaze, wait until it is dry, (it becomes transparent when dry).

Then apply a coat of the top glaze. As this coat dries it also becomes transparent, it is during this drying phase that the cracks form.

The cracks that form will be quite fine, and it may be that you will not see them until you apply an antique glaze, see below.

 

You can purchase this simple and reliable 2 part  crackle glaze from the gilding supplies page.

 

It is normal after applying the crackle glaze, to apply an antique glaze over it in order to highlight the cracks, lets see how the antique glaze is applied.

 

EVERY MONTH I SEND OUT A NEWSLETTER WHICH AIMS TO BRING YOU INTERESTING ITEMS CONCERNING THE WORLD OF GILDING AND RELATED CRAFTS. IF YOU WOULD CARE TO SUBSCRIBE PLEASE JUST MAIL Richard at gold-vault@orange.fr and put "gold-vault" in the subject box.

 

       
 
 
edenworkshops
 
Hi there, I've been browsing your wonderful website and I can't wait to have a go at some of the techniques you explore on there. Your manuals are definitely the best Iv'e found on the internet. 
Seb Dale 
  
I just want to salute your generosity in giving away your gilding knowledge. Excellent guide books,  I was not able to find such a simplified explanation in any book at the local library. 
Ghassan Haddad 
  
After looking at various sites and suppliers on the net, your site is just wonderful - clear, accessible, descriptive and demystifying. Thanks so much for making your knowledge available! Liz 
 
You did a brilliant job of mentoring me through my project, it turned out very well, I am extremely happy with the results.
Brendon
 
Your manuals are excellent. I easily worked my way through your gilded manuscript project and the result is now framed and hanging in my living room. Thank you.
Pauline