Other Distressed Finishes to use with Gold Leaf and other materials

There are several other ways to obtain an antique or distressed finish to areas which have been gilded, or have had a crackle finish applied to it.

When you are laying the leaf with the pad of cotton wool (make sure it is lint free cotton wool or strands of the wool will adhere to the size)

gold leaf finishWhen you are laying the leaf, gently twist the pad as you press down gently to get the gold to adhere, this will have the effect of breaking up the gold in irregular areas, such as is shown in the picture on the left, you can also scrape of areas of the gold before the size has dried with a cocktail stick or small slip of wood.

 

 

 

When applying a crackle glaze to a paper surface you can rub in some raw linseed oil after the crackle has been achieved, this will dull down the surface giving a mat appearance, make sure you rub the oil in well and remove the surplus with a cotton cloth, this will speed up the drying time.

 

 

 

 

 

 

antique finish to paper

This picture shows this method of distressing a piece to good effect.

If you want something that looks truly ancient after using a crackle glaze and antique glaze plus the coating of raw linseed oil, I suggest you place the object in either strong hot sunlight for about 24 hours, or failing hot sunlight, I suggest you place the object in a pre heated warm oven (gas mark 1-2) for about 3-4 hours, this will cause the crackle to lift in an irregular manner, see the picture below. I cannot give hard and fast rules about this process, therefore I advise that you check the work periodically.

 

 

 

 

antique finish

This is a close up of the picture above it was achieved in 5 steps.

Step 1 The application of the crackle base coat.

Step 2 The application of the crackle top coat.

Step 3 The application of the antique glaze.

Step 4 The application of the Linseed Oil.

Step 5  Place in warm oven or strong hot sunlight.

 

 

 

 

gold leaf crackle glaze

You can apply this trick of the trade to most gilded finishes with good effect, but check the piece occasionally as this is a trial and error process for which hard and fast rules cannot be applied.

All the recipes and process's are contained in a detailed manual which is available from the downloads page.

 

 

 

 

 

 

 

 

 

 

 

 

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